'A comforting support group in book form. A must-read for grievers.' Ellidy Pullin 'Good Mourning is a gift - the package you leave on the doorstep of anyone rocked by grief when you don't have the words.' -Jessie Stephens, author of Heartsick Sally Douglas and Imogen Carn met after the sudden deaths of their mothers only months apart. Their experiences led them to launch a podcast, and their no-holds-barred, relatable approach to talking about grief sparked a growing following of people eager to have honest conversations about what it really feels like to deal with loss. Good Mourning is a compassionate survival guide for anyone dealing with grief - the kind of book Sal and Im wish they'd had to help them through the dark times. Here they shine a light on the many ways grief can impact our lives (hello ugly crying, exhaustion and 'grief brain'). Along with expert advice from clinical psychologist Tamara Cavenett and warm words and insights from hundreds of others who've experienced grief, the authors offer practical tips on coping with isolation and loneliness, navigating grief at work, managing milestones and so much more. Whether you're one month in or ten years down the track, Good Mourning will help you make sense of life after loss - and know that you're not alone.

Eleventh entry in the 'Carry On' series. Marshall P. Knutt (Jim Dale), a former sanitary engineer, becomes the sheriff of Stodge City in the Wild West and must help a young woman beat the Rumpo Kid (Sid James), the outlaw who shot her father. Those getting off their horses and drinking their milk include Kenneth Williams, Charles Hawtrey, Joan Sims and Bernard Bresslaw (making his 'Carry On' debut).

Four films from the classic 'Carry On' series. In 'Carry On Spying' (1964), Barbara Windsor (in her first 'Carry On' appearance) plays a trainee spy in the British Secret Service, who must use all her talents to prevent an evil mastermind from the organisation S.T.E.N.C.H. obtaining a secret formula. Master spies on the case include Kenneth Williams, Charles Hawtrey and Bernard Cribbins. In 'Carry On Cleo' (1965), ancient British slaves save Caesar (Williams) from assassination in Rome, 50 B.C. Meanwhile, Mark Antony (Sid James) romances Egyptian Empress Cleopatra (Amanda Barrie). In 'Carry On Screaming' (1966), detective Bung (Harry H. Corbett) investigates a mad professor (Williams) and his sister, who are turning their victims into shop window dummies. Finally, in 'Carry On Cowboy' (1965), Marshall P. Knutt (Jim Dale), a former sanitary engineer, becomes the sheriff of Stodge City in the Wild West and must help a young woman beat the Rumpo Kid (James), the outlaw who shot her father.

Central to debates about Jesus is the issue of whether he uniquely embodies the divine. While this discussion continues unabated, both those who affirm and those who dismiss, Jesus' divinity regularly eclipse the reality that in many of the earliest strands of the Christian tradition when Jesus' divinity is proclaimed, Jesus is imaged as the female divine. Sally Douglas investigates these early texts, excavates the motivations for imaging Jesus as Woman Wisdom and the complex reasons that this began to be suppressed in the 2nd and 3rd centuries. The work concludes with an exploration of the powerful implications of engaging with the ancient proclamation of Jesus-Woman Wisdom in contemporary context.

Central to debates about Jesus is the issue of whether he uniquely embodies the divine. While this discussion continues unabated, both those who affirm and those who dismiss, Jesus' divinity regularly eclipse the reality that in many of the earliest strands of the Christian tradition when Jesus' divinity is proclaimed, Jesus is imaged as the female divine. Sally Douglas investigates these early texts, excavates the motivations for imaging Jesus as Woman Wisdom and the complex reasons that this began to be suppressed in the 2nd and 3rd centuries. The work concludes with an exploration of the powerful implications of engaging with the ancient proclamation of Jesus-Woman Wisdom in contemporary context.

This assemblage of feminist theologies represents a series of vital entanglements. Chapters are written from different cultures, geographies and discourses and brought together around themes as specific and wide-ranging as immigration detention, hate crime, discrimination, rites of marriage and partnership, and artistic and religious imagination. The contributors variously echo, celebrate, question and contradict each other. Despite the complexity and allied as they are with liberation, decolonial, ecological, queer and other theologies, these perspectives seek not only to confront and resist the problems, oppressions, and omissions of hegemonic theologies but also to realize better worlds.